Ridley Scott’s film adaptation of Blade Runner came out in 1982. It’s since become the blueprint for high-tech, neon-soaked dystopia and cyberpunk aesthetics: cities emblazoned with colourful billboards and 24-hour artificial light. Six years prior to its release, Canadian photographer Greg Girard (b. 1955) arrived in Tokyo. “Blade Runner-esque” had yet to enter the lexicon, and he was soon entranced by this modern, futuristic city. Girard quickly turned his lens on the city’s people and glowing nocturnal architecture.
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